• In a sense, all drawing is the same. Drawing is about projecting how you see the world onto a medium. Artists have a unique way of seeing the world.
    • In order to draw a perceived subject — something seen with the eyes, requires a shift to using the more visual-spatial aspects of the mind instead of our more symbolic, semantic, language-dominated perception.
    • Ask yourself questions related to space rather than to the subject itself. Think in terms of lines, shapes and curves
    • Draw what you see without thinking about what it is. 1
  • The fundamental skills of drawing are as follows:
    • Perceiving edges — the shared edges or boundaries between two objects
    • Perceiving space
      • Perceiving negative space is important especially for complex contours. If you can see the negative space and draw its boundary, you will have drawn the original object
    • Perceiving relationships — includes proportion and perspective
    • Perceiving lights and shadows (i.e., shading)
    • Perceiving the whole — composition
  • Drawing is nothing but copying the thing you see. That being said, drawing also allows the artist to put into the medium, the unique way they see the world.

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Footnotes

  1. Edwards shows this using the exercise of drawing an image upside down. This reduces our “inner voice’s” tendency to semantically describe the image. We rely only on the visual information